In fourth grade, I predicted that I would become a cartoonist. The title never quite materialized, but drawing remains central to my practice and regularly finds its way into my design work.

These black-and-white illustrations favor bold contours, movement, humor, and direct mark making. The energy of Keith Haring and the irreverent distortion of Peter Saul have both influenced how I approach characters, gestures, and unexpected visual relationships.

Illustration / Pen and ink / Character drawing